After living rough for a few months with nowhere to stay, he returned to his family home to recuperate. When the church authorities witnessed his destitute condition, they were embarrassed by his behaviour and dismissed him. His excessive self-denial and overzealous approach to the work undermined his ability to support his congregation and gradually led to a deterioration of his physical and mental health. He threw himself into the work with excessive zeal, giving up his comfortable lodgings to a homeless man, and distributing his clothes among the poor. Determined not to be defeated, he took up a position as a lay preacher in the Borinage, an impoverished coal mining region in Belgium. His next step was to follow in his father's footsteps and train for the ministry, but this proved to be another dead-end as he could not cope with the rigorous studies involved. As a result, his performance deteriorated eventually leading to his dismissal. At first Van Gogh worked hard in the post, but after a few years he lost interest in the type of paintings he was handling.
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His father's brother, Uncle Cent (short for Vincent) who was a successful art dealer, found him a job as a clerk at Goupil & Co., the international art dealership in the Hague. As a child he was a loner with a difficult nature who grew into a troublesome adolescent with no clear direction in life. Van Gogh was born in Groot Zundert, Holland in 1853 to Theodorus Van Gogh, a protestant minister, and his wife Anna, a keen watercolourist who encouraged her son's interest in art.
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Very few artists have left such an honest, coherent and unpretentious analysis of their artwork that endorses the passion, perception, and integrity of their output. In the intervening periods when he was well, he painted with a remarkable clarity of thought that is revealed in over 650 letters to his brother Theo, many of which explain the rationale behind his artistic choices and some of which he illustrated to explain his ideas. Van Gogh did endure dark days of depression, but he was too ill to work when his disorder took hold. However, this tabloid caricature is far from the truth. In effect, he provides the emotional safety net that allows us to experience his extraordinary view from the edge from a secure standpoint.Īn historic misunderstanding of his illness has given rise to his ill-considered reputation as the crazy Dutchman who painted in an uncontrollable frenzy and cut off his earlobe in a fit of despair. The raw energy of his vigorous brushwork and his passionate use of vibrant color touch the heart of his public, who feel that he selflessly compromised his presence of mind to engage with his subjects on such an intense level.
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Although this illness was responsible for periods of depression, he also had intervals of exhilaration when he painted with an instinctive understanding of the emotive nature of color, and how to use it at its highest pitch. This affliction caused him to experience extreme mood swings which marred all his personal relationships.
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I am indeed somewhat fearful that that will have its reaction in melancholy when the bad season comes." His melancholic counterpart to this visionary state was a disorder, believed to be temporal lobe epilepsy. In a letter to his brother Theo he wrote, "I have a terrible clarity of mind at times, when nature is so lovely these days, and then I’m no longer aware of myself and the painting comes to me as if in a dream. His radical paintings are characterized by what he called his ‘terrible clarity of mind’, an elevated level of perception that raised his creative energy to euphoric heights. Vincent Van Gogh is one of the most popular artists of all time.